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Weston, Jessie Laidlay, 1850-1928

"From Ritual to Romance"

104. A curious point in connection
with the illustration is that the Chalice is surmounted by a Heart,
and in the Tarot suits Cups are the equivalent of our Hearts.
The combination has now become identified with the cult of the
Sacred Heart, but is undoubtedly much older.

CHAPTER VIII
[1] Cf. supra, Chap. 5, pp. --- ---; Chap. 7, pp. ---, ---.
[2] Mysterium und Mimus, p. 369, Der Mimus des Medizinmannes.
[3] Cf. Chap. 5, pp. ---, ---.
[4] Op. cit. p. 371
[5] Op. cit. pp. 78 et seq.
[6] I would draw attention to the fact that while scholars are now
coming to the conclusion that Classic Drama, whether Tragedy or
Comedy, reposes for its origin upon this ancient ritual, others have
pointed out that Modern Drama derives from the ritual Play of the
Church, the first recorded medieval drama being the Easter Quem
Quaeritis? the dramatic celebration of Our Lord's Resurrection.
Cf. Chambers, The Mediaeval Stage, where this thesis is elaborately
developed and illustrated. It is a curious fact that certain texts
of this, the 'Classical' Passion Play, contain a scene between the
Maries and the 'Unguentarius' from whom they purchase spices for the
embalmment of Our Lord. Can this be a survival of the Medicine Man?
(Cf. op. cit. Vol. ii. p.


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