10
Vol. III. p. 157, vv. 2, 5, 7, 8.
[2] Zeitschrift der Deutschen Morgenlandischen Geschichte,
Vols. XXXVII. and XXXIX.
[3] Cf. Le Theatre Indien, Paris, 1890.
[4] Cf. Wiener Zeitsch, fur die Kunde des Morgenlandes,
Vol. XVIII. 1904.
[5] Leipzig, 1908.
[6] Op. cit. p. 105.
[7] Ib. p. 230.
[8] Ib. p. 292, for sources, and variants of tale.
[9] On this point cf. Cornford, Origin of Attic Comedy, pp. 8, 78,
for importance of this feature.
[10] Op. cit. pp. 161-170, for general discussion of question,
and summary of authorities. Also pp. 297 et seq.
[11] Cf. Legend of Sir Peceval, Vol. I. Chapter 3.
[12] MS. Bibl. Nat., f. Fr. 12576, fo. 173. Cf. also Legend of
Sir Perceval, I. Chap. 4.
[13] Malory, Le Morte Arthure, Book XIV. Chaps. 8 and 9.
Potvin, ll. 40420 et seq.
CHAPTER IV
[1] Cf. Frazer, Adonis, Attis, Osiris, p. 5.
[2] In this connection not only the epoch-making works of Mannhardt
and Frazer, which are more specifically devoted to an examination of
Folk-belief and practice should be studied, but also works such as
The Mediaeval Stage, E. K. Chambers; Themis, J. E. Harrison;
The Origin of Attic Comedy, F. Cornford; and Sir Gilbert Murray's essay
on the evolution of the Greek Drama, published in Miss Harrison's Themis.
Pages:
243
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