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Weston, Jessie Laidlay, 1850-1928

"From Ritual to Romance"

As von Schroeder says,
"Kein Zweifel dass sie dabei von menschlichen, resp. priesterlichen
Personen dargestellt wurden.[9]
When we turn from the early Aryan to the classic Greek period we find
in the Kouretes, and in a minor degree in the Korybantes, a parallel
so extraordinarily complete, alike in action and significance, that an
essential identity of origin appears to be beyond doubt.
The Kouretes were, as their name indicates, a band of armed youths, of
semi-divine origin, "Kureten sind von Haus aus halb-gottlich
damonische Wesen nicht nur menschliche Priester, oder deren mythische
Vertreter."[10] Again, they are to be considered as "elementare
Urwesen," and as such of "Gottliche Abkunft."[11] Preller regards
them as "Damonen des Gebirgs,"[12] while a passage from Hesiod,
quoted by Strabo, equates them with nymphs and satyrs, i.e., fertility
demons.[13]
When we remember that the Gandharvas are the Indian equivalent of the
Satyrs the close parallel between the Maruts and the Kouretes, both
alike bands of armed youths, of elementary origin, and connected with
beings of a lower grade, is striking.
The home of the Kouretes was in Crete, where they were closely
associated with the worship of the goddess Rhea. The traditional
story held that, in order to preserve the infant Zeus from destruction
by his father Kronos, they danced their famous Sword Dance round the
babe, overpowering his cries by the clash of their weapons.


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