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Weston, Jessie Laidlay, 1850-1928

"From Ritual to Romance"

But while I should, on the
whole, accept the affiliation of the two groups, and believe that the
treasures of the Tuatha de Danann really correspond to the symbols
displayed in the hall of the Grail castle, I cannot consider that the
one is the origin of the other. There is one very fundamental
difference, the importance of which I cannot ignore, but which, I
believe, has hitherto escaped Professor Brown's attention.
The object corresponding to the Grail itself is the cauldron of the
Dagda, "No company ever went from it unthankful" (or 'unsatisfied').[6]
Now this can in no sense be considered as a Cup, or Vase, nor is it the
true parallel to a Dish. The connection with the Grail is to be found
solely and exclusively in the food-providing properties ascribed to
both. But even here the position is radically different; the
impression we derive from the Irish text and its analogous parallels
is that of size (it is also called a 'tub'), and inexhaustible
content, it is a cauldron of plenty.[7] Now, neither of these
qualities can be postulated of the Grail; whatever its form, Cup or
Dish, it can easily be borne (in uplifted hands, entre ses mains
hautement porte) by a maiden, which certainly could not be postulated
of a cauldron! Nor is there any proof that the Vessel itself
contained the food with which the folk of the Grail castle were
regaled; the texts rather point to the conclusion that the appearance
of the Grail synchronized with a mysterious supply of food of a choice
and varied character.


Pages:
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akwarystyka
Akwarystyka, akwarystyka
Kody Do Gier
Kody Do Gier
drukarnia wielkoformatowa
Szybka drukarnia
drukarnia cyfrowa
Barwa - drukarnia cyfrowa
meble dla dzieci
meble dla dzieci