This objection is sound in itself, but if we can show by modern
parallels that the ideas which took form and shape in early Aryan
Drama, and Babylonian and Classic Ritual, not only survive to our day,
but are found in combination with features corresponding minutely with
details recorded in early Aryan literature, we may hold the gulf to be
bridged, and the common origin, and close relationship, of the
different stages to be an ascertained fact. At the outset, and before
examining the evidence collected by scholars, I would remind my
readers that the modern Greeks have retained, in many instances under
changed names, no inconsiderable portion of their ancient mythological
beliefs, among them the 'Adonis' celebrations; the 'Gardens of Adonis'
blossom and fade to-day, as they did many centuries ago, and I have
myself spoken with a scholar who has seen 'women, at the door of their
houses, weeping for Adonis.'[1]
For evidence of the widespread character of Medieval and Modern
survivals we have only to consult the epoch-making works of Mannhardt,
Wald und Feld-Kulte, and Frazer, The Golden Bough;[2] in the pages of
these volumes we shall find more than sufficient for our purpose.
From the wealth of illustration with which these works abound I have
selected merely such instances as seem to apply more directly to the
subject of our investigation.
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