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Runciman, James, 1852-1891

"Side Lights"

As we study the history of the frivolous race of men, it
sometimes seems hard to disbelieve the theory of Descartes. The great
Frenchman held that man and other animals are automata; and, were it
not that such a theory strikes at the root of morals, we might almost
be tempted to accept it in moments of weakness, when the riddle of the
unintelligible earth weighs heavily on the tired spirit. I find that
every prominent scoundrel known to us pursued his work of sin with an
absolute unconsciousness of all moral law until pain or death drew
near; then the scoundrel cringed like a cur under the scourges of
remorse. Thackeray, in a fit of spasmodic courage, painted the
archetypal scoundrel once and for all in "Barry Lyndon," and he
practically said the last word on the subject; for no grave analysis,
no reasoning, can ever improve on that immortal and most moving
picture of a wicked man. Observe the masterpiece. Lyndon goes on with
his narrative from one horror to another; he exposes his inmost soul
with cool deliberation; and the author's art is so consummate that we
never for a moment sympathise with the fiend who talks so
mellifluously--the narrative of ill-doing unfolds itself with all the
inevitable precision of an operation of nature, and we see the human
soul at its worst.


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