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Shiel, M. P. (Matthew Phipps), 1865-1947

"The Purple Cloud"

I took a good one with
microphone diaphragm, and a number of record-cylinders in a
brass-handled box, and I put them into the car, for there was still a
very strong peach-odour in this closed shop, which displeased me. I then
proceeded southward and westward through by-streets, seeking some
probable house into which to go from the rough cold winds, when I saw
the Parliament-house, and thither, turning river-ward by Westminster
Hall to Palace Yard, I went, and with my two parcels, one weighting each
arm, walked into this old place along a line of purple-dusted busts; I
deposited my boxes on a table beside a massive brass thing lying there,
which, I suppose, must be what they called the Mace; and I sat to hear.
Unfortunately, the phonograph was a clock-work one, and when I wound it,
it would not go: so that I got very angry at my absurdity in not
bringing an electric mechanism, as I could with much less trouble have
put in a chemical than cleaned the clock-work; and this thing put me
into such a rage, that I nearly tore it to pieces, and was half for
kicking it: but there was a man sitting in an old straight-backed chair
quite near me, which they called the Speaker's Chair, who was in such a
pose, that he had, every time I glanced suddenly at him, precisely the
air of bending forward with interest to watch what I was doing, a
Mohrgrabim kind of man, almost black, with Jewish nose, crinkled hair,
keffie, and flowing robe, probably, I should say, an Abyssinian Galla;
with him were only five or six people about the benches, mostly leaning
forward with rested head, so that this place had quite a void
sequestered mood.


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