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Porter, Eleanor H. (Eleanor Hodgman), 1868-1920

"Mary Marie"


Some days he's talked a lot with me--asked me questions just as he
used to, all about what I did in Boston, and Mother, and the people
that came there to see her, and everything. And he spoke of the
violinist again, and, of course, this time I told him all about him,
and that he didn't come any more, nor Mr. Easterbrook, either; and
Father was _so_ interested! Why, it seemed sometimes as if he just
couldn't hear enough about things. Then, all of a sudden, at times,
he'd get right up in the middle of something I was saying and act as
if he was just waiting for me to finish my sentence so he could go.
And he did go, just as soon as I _had_ finished my sentence. And after
that, maybe, he wouldn't hardly speak to me again for a whole day.
And so that's why I say he's been so queer since that night on the
piazza. But most of the time he's been lovely, perfectly lovely. And
so has Cousin Grace, And I've had a beautiful time.
But I do wish they _would_ marry--Father and Cousin Grace, I mean. And
I'm not talking now entirely for the sake of the book. It's for their
sakes--especially for Father's sake. I've been thinking what Mother
used to say about him, when she was talking about my being Mary--how
he was lonely, and needed a good, kind woman to make a home for him.


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