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Porter, Eleanor H. (Eleanor Hodgman), 1868-1920

"Mary Marie"

I've been thinking it over. I don't
believe Mother's going to care so very much. I don't believe she'd
_want_ a man that would pretend to come courting her, when all the
while he was really courting the hired girl--I mean maid. Besides,
there's Mr. Easterbrook left (and one or two others that I haven't
said much about, as I didn't think they had much chance). And so far
as the love story for the book is concerned, _that_ isn't spoiled,
after all, for it will be ever so much more exciting to have the
violinist fall in love with Theresa than with Mother, for, of course,
Theresa isn't in the same station of life at all, and that makes it
a--a mess-alliance. (I don't remember exactly what that word is; but
I know it means an alliance that makes a mess of things because the
lovers are not equal to each other.) Of course, for the folks who have
to live it, it may not be so nice; but for my story here this makes it
all the more romantic and thrilling. So _that's_ all right.
Of course, so far, I'm the only one that knows, for I haven't told it,
and I'm the only one that's seen anything. Of course, I shall warn
Mother, if I think it's necessary, so she'll understand it isn't her,
but Theresa, that the violinist is really in love with and courting.


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