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Porter, Eleanor H. (Eleanor Hodgman), 1868-1920

"Mary Marie"

That's another
word. Honestly, Marie is getting awfully tired of Mary's sensible
sewing and dusting, and her durable clumpy shoes and stuffy dresses,
and her nourishing oatmeal and whole-wheat bread. But there, what can
you do? I'm trying to remember that it's _different_, anyway, and that
I said I liked something different.
I don't see much of Father. Still, there's something kind of queer
about it, after all. He only speaks to me about twice a day--just
"Good-morning, Mary," and "Good-night." And so far as most of his
actions are concerned you wouldn't think by them that he knew I was in
the house, Yet, over and over again at the table, and at times when I
didn't even know he was 'round, I've found him watching me, and with
such a queer, funny look in his eyes. Then, very quickly always, he
looks right away.
But last night he didn't. And that's especially what I wanted to write
about to-day. And this is the way it happened.
It was after supper, and I had gone into the library. Father had gone
out to the observatory as usual, and Aunt Jane had gone upstairs to
her room as usual, and as usual I was wandering 'round looking for
something to do. I wanted to play on the piano, but I didn't dare
to--not with all those dead-hair and wax-flower folks in the parlor
watching me, and the chance of Father's coming in as he did before.


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