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"Notes and Queries, Number 59, December 14, 1850"

Gomm of Spital
Square; and at that lady's death, some years after, it passed, I have
reason to expect, into the possession of her relative, Mr. Fince, of
Bishopsgate Street. I have no farther information of it.
The portrait of Charles Cotton, by Sir Peter Lely, was, at the time (1814)
when Linnell took a copy, and (in 1836) when Humphreys took a copy, in the
possession of John Berisford, Esq., of Compton House, Ashborne, Derbyshire;
and the following extracts of letters will show who at present possesses
it:--
"Leek, 14th July, 1842.
"After Mr. Berisford's decease, I should think the portrait of Cotton
would fall into the hands of his nephew Francis Wright, Esq., of Linton
Hall, near Nottingham.
I am, &c. &c"
"Linton Hall, Aug. 19. 1842.
"Sir,--The Rev. J. Martin, of Trinity College, Cambridge, is the
possessor of the portrait of Cotton to which your letter alludes. I am,
Dear Sir,
"Yours, in haste,
"F. WRIGHT."
I avail myself of the present opportunity to ask the authority for the
portrait of Bunyan appended to his ever-fresh allegory. The engraved
portrait I have has not the name of the painter.
O.W.
_Sonnet: Attempting to prove that Black is White._--
"It has been said of many, they were quite
Prepared to prove (I do not mean in fun)
That white was really black, and black was white;
But I believe it has not yet been done.


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