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Feis, Jacob

"Shakspere and Montaigne"

vi.) that
many a one, in reading his _Pigmalion_, has compared him to Ovid.
In order to make out Crispinus to be guilty before Augustus, strong
language is required. For this purpose, Jonson may have used the
way and manners of Marston, and applied some of his newly coined
graphic words. But this proves nothing for the identity of characters.
The libel also contains a pointed word of Shakspere--'retrograde'--an
expression little employed by the latter, and which is hurled as a
reproach against Parolles, the figure which in all likelihood is
to represent Jonson; Helena (act i. sc. 2) says to him, that he was
born under Mars, 'when he was retrograde.'
The remark in _The Return from Parnassus_ that few of the University
can pen plays well, smelling too much of that writer Ovid and
that writer _Metamorphosis_, has, in our opinion, also reference to
John Marston whose first dramatic attempts--although he, like
Jonson, may be called a 'University man'--do not admit of any
comparison with those of Shakspere.
23: Demetrius repentingly admits that it was from envy he had
ill-treated Horace, because 'he kept better company for the most
part than I, better men loved him than loved me; and his writings
thrived better than mine, and were better liked and graced.'
24: The little word 'clutcht' for a long time 'sticks strangely' in
Crispinus' throat; it is only thrown up with the greatest difficulty.


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