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Feis, Jacob

"Shakspere and Montaigne"

Not only does the course of our reason lead us that way; for,
why should we fear to lose a thing which, when lost, cannot be
regretted?--but also, seeing that we are threatened by so many kinds
of death, is it not a greater inconvenience to fear them all than to
endure one? What does it matter when Death comes, since it is
inevitable?... Moreover, nobody dies before his hour. The time you
leave behind was no more yours than that which was before your birth,
and concerns you no more.'
No further comment is needed to prove that Hamlet's and Montaigne's
thoughts are in so close a connection that it cannot be a mere accident.
And the nearer we come to the conclusion of the drama, the more
striking become Shakspere's satirical hits.
Hamlet allows his hand to be put into that of Laertes by the King. He
does not think of the wrong he has done to Laertes--of the murder of
the latter's father, or the unhappiness he has criminally brought
upon Laertes' sister. In most cowardly manner, hoping that Laertes
would desist from the combat, Hamlet endeavours to excuse his conduct
at the grave of Ophelia, by pleading his own madness. Laertes insists
on the combat; adding that he would stand aloof 'till by some elder
masters of known honour' the decision were given.
Hamlet avenges the death of his father; he kills the criminal, the
enemy, when his wrath is up and aflame, and every muscle of his is
swelled with indignation--but it is _too late_.


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