I am never willing to cumber the stage with
many speakers, when I can reasonably avoid it, as here I might. And
what if I had a mind to pass over the clergy and nobility of France in
silence, and to excuse them from joining in so illegal, and so ungodly
a decree? Am I tied in poetry to the strict rules of history? I have
followed it in this play more closely than suited with the laws of the
drama, and a great victory they will have, who shall discover to the
world this wonderful secret, that I have not observed the unities of
place and time; but are they better kept in the farce of the
"Libertine destroyed?"[15] It was our common business here to draw the
parallel of the times, and not to make an exact tragedy. For this once
we were resolved to err with honest Shakespeare; neither can
"Catiline" or "Sejanus," (written by the great master of our art,)
stand excused, any more than we, from this exception; but if we must
be criticised, some plays of our adversaries may be exposed, and let
them reckon their gains when the dispute is ended. I am accused of
ignorance, for speaking of the third estate, as not sitting in the
same house with the other two. Let not those gentlemen mistake
themselves; there are many things in plays to be accommodated to the
country in which we live; I spoke to the understanding of an English
audience. Our three estates now sit, and have long done so, in two
houses; but our records bear witness, that they, according to the
French custom, have sate in one; that is, the lords spiritual and
temporal within the bar, and the commons without it.
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