These, of course, added little to the
force of the party in the theatres, which they never frequented.
Shadwell seems to acknowledge this disadvantage in the epilogue to
"The Lancashire Witches:"
Our Popes and friars on one side offend,
And yet, alas! the city's not our friend:
The city neither like us nor our wit,
They say their wives learn ogling in the pit;
They're from the boxes taught to make advances,
To answer stolen sighs and naughty glances.
We virtuous ladies some new ways must seek,
For all conspire our playing trade to break.
But although the citizens declined to frequent even the plays
written on their own side of the question, Armstrong, and the
personal followers of Monmouth, were of a gayer complexion, and
doubtless, as they were not inferior to the courtiers in the
licence assumed by the age, formed the principal part of the
audience at the protestant plays. The discovery of the Rye-house
Plot broke the strength of this part of the confederacy, and the
odium attending that enterprise rendered their opposition to the
court in public assemblies both fruitless and dangerous.
PROLOGUE
WRITTEN BY MR DRYDEN.
SPOKEN BY MR SMITH.
Our play's a parallel: the Holy League
Begot our Covenant: Guisards got the whig:
Whate'er our hot-brained sheriffs did advance,
Was, like our fashions, first produced in France;
And, when worn out, well scourged, and banished there,
Sent over, like their godly beggars, here.
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