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Tarbell, Frank Bigelow, 1853-1920

"A History of Greek Art"

It is commonly supposed, though without decisive
proof, that certain statues of Niobe and her children which exist
in Florence and elsewhere are copied from the group of which Pliny
speaks. The story was that Niobe vaunted herself before Leto
because she had seven sons and seven daughters, while Leto had
borne only Apollo and Artemis. For her presumption all her
children were stricken down by the arrows of Apollo and Artemis.
This punishment is the subject of the group. Fig. 157 gives the
central figures; they are Niobe herself and her youngest daughter,
who has fled to her for protection. The Niobe has long been famous
as an embodiment of haughtiness, maternal love, and sharp
distress. But much finer in composition, to my thinking, is Fig.
158. In this son of Niobe the end of the right arm and the entire
left arm are modern. Originally this youth was grouped with a
sister who has been wounded unto death. She has sunk upon the
ground and her right arm hangs limply over his left knee, thus
preventing his garment from falling.


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