This is the
sculptor's childlike way of imparting a look of cheerfulness to
the countenance, and with it often goes an upward slant of the
eyes from the inner to the outer corners. In representing this
youth as wearing long hair, the sculptor followed the actual
fashion of the times, a fashion not abandoned till the fifth
century and in Sparta not till later. The appearance of the hair
over the forehead and temples should be noticed. It is arranged
symmetrically in flat spiral curls, five curls on each side.
Symmetry in the disposition of the front hair is constant in early
Greek sculpture, and some scheme or other of spiral curls is
extremely common.
It was at one time thought that these nude standing figures all
represented Apollo. It is now certain that Apollo was sometimes
intended, but equally certain that the same type was used for men.
Greek sculpture had not yet learned to differentiate divine from
human beings The so-called "Apollo" of Tenea (Fig. 79), probably
in reality a grave-statue representing the deceased, was found on
the site of the ancient Tenea, a village in the territory of
Corinth.
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