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Tarbell, Frank Bigelow, 1853-1920

"A History of Greek Art"

These
buildings were of enormous extent. The palace of Sennacherib at
Nineveh, for example, covered more than twenty acres. Although the
country possessed building stone in plenty, stone was not used
except for superficial ornamentation, baked and unbaked bricks
being the architect's sole reliance. This was a mere blind
following of the example of Babylonia, from which Assyria derived
all its culture. The palaces were probably only one story in
height. Their principal splendor was in their interior decoration
of painted stucco, enameled bricks, and, above all, painted
reliefs in limestone or alabaster.
The great Assyrian bas-reliefs covered the lower portions of the
walls of important rooms. Designed to enrich the royal palaces,
they drew their principal themes from the occupations of the
kings. We see the monarch offering sacrifice before a divinity,
or, more often, engaged in his favorite pursuits of war and
hunting. These extensive compositions cannot be adequately
illustrated by two or three small pictures.


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