[XII] . [XXII] . [XXXII] . [XLII] . [LII] . [LXII] . [LXXII
[III] . [XIII] . [XXIII] . [XXXIII] . [XLIII] . [LIII] . [LXIII] . [LXXIII]
[IV] . [XIV] . [XXIV] . [XXXIV] . [XLIV] . [LIV] . [LXIV] .
[V] . [XV] . [XXV] . [XXXV] . [XLV] . [LV] . [LXV] .
[VI] . [XVI] . [XXVI] . [XXXVI] . [XLVI] . [LVI] . [LXVI] .
[VII] . [XVII] . [XXVII] . [XXXVII] . [XLVII] . [LVII] . [LXVII] .
[VIII] .[XVIII] .[XXVIII] .[XXXVIII] .[XLVIII] .[LVIII] .[LXVIII] .
[IX] . [XIX] . [XXIX] . [XXXIX] . [XLIX] . [LIX] . [LXIX] .
[X] . [XX] . [XXX] . [XL] . [L] . [LX] . [LXX] .
[APPENDIX]
____________________________________________________________________________
[PREFACE]
(Prf:1) Human infirmity in moderating and checking the emotions I name
bondage: for, when a man is a prey to his emotions, he is not his own
master, but lies at the mercy of fortune: so much so, that he is often
compelled, while seeing that which is better for him, to follow that
which is worse. (2) Why this is so, and what is good or evil in the
emotions, I propose to show in this part of my treatise. (3) But,
before I begin, it would be well to make a few prefatory observations on
perfection and imperfection, good and evil.
(Prf:4) When a man has purposed to make a given thing, and has brought
it to perfection, his work will be pronounced perfect, not only by
himself, but by everyone who rightly knows, or thinks that he knows,
the intention and aim of its author.
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