_;
her Jubilee, 245;
in "Much Ado About Nothing," 250 _et sqq._;
in "The Lyons Mail," 250-1;
in "Twelfth Night," 253;
as Olivia, 256;
in "Faust," 260 _et sqq._, 344;
in "The Amber Heart," 271;
First Tour in America, 273 _et sqq._;
first appearance in America, 280-1;
an "American" interview, 288-9;
on colored servants, 291;
some opinions on America, 294 _et sqq._;
her first speech, 304-5;
at Niagara, 311-12;
other tours in America, 325 _et sqq._;
in "Godefroi and Yolande," 326;
her third marriage, 327;
in "Macbeth," 328 _et sqq._;
painted as Lady Macbeth by Sargent, 331-2, 371-2;
plays in the "Dead Heart," 334;
plays in "Ravenswood," 337;
plays in "Nance Oldfield," 337 _et sqq._;
in "Henry VIII.," 338;
at Stratford-on-Avon, 339 et sqq._;
in "King Lear," "Becket," "King Arthur," "Cymbeline," "Madame
Sans-Gene," "The Medicine Man," "Peter the Great," 343;
in Robespierre, 344;
in "Alice Sit-by-the-Fire," 345;
in "Captain Brassbound's Conversion," 345;
in "The Merry Wives of Windsor," 114, 348 _et sqq._;
in Ibsen's "Vikings," at the Imperial Theatre, 351;
produces "The Good Hope," 354;
in "Ravenswood," 354;
her last Shakespearean part, Hermione, 355;
her Stage Jubilee, 355 _et sqq.
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