He was not at this time lessee of the
Lyceum--Colonel Bateman was still alive--and I looked no further than my
engagement at the Prince of Wales's, although in a few months it was to
come to an end.
Although I was now earning a good salary, I still lived in lodgings at
Camden Town, took an omnibus to and from the theater, and denied myself
all luxuries. I did not take a house until I went to the Court Theater.
It was then, too, that I had my first cottage--a wee place at Hampton
Court where my children were very happy. They used to give performances
of "As You Like It" for the benefit of the Palace custodians--old
Crimean veterans, most of them--and when the children had grown up these
old men would still ask affectionately after "little Miss Edy" and
"Master Teddy," forgetting the passing of time.
My little daughter was a very severe critic! I think if I had listened
to her, I should have left the stage in despair. She saw me act for the
first time as Mabel Vane, but no compliments were to be extracted from
her.
"You _did_ look long and thin in your gray dress."
"When you fainted I thought you was going to fall into the
orchestra--you was so _long_."
In "New Men and Old Acres" I had to play the piano while I conducted a
conversation consisting on my side chiefly of haughty remarks to the
effect that "blood would tell," to talk naturally and play at the same
time.
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