There is only one way to play her, and to be bothered by
questions of sincerity and consistency means that you will miss that way
for a certainty!
I missed it, and fell between two stools. Finding that it was useless
to depend upon feeling, I groped after the definite rules which had
always governed the delivery of Pauline's fustian, and the fate that
commonly overtakes those who try to put old wine into new bottles
overtook me.
I knew for instance, exactly how the following speech ought to be done,
but I never could do it. It occurs in the fourth act, where Beauseant,
after Pauline has been disillusioned, thinks it will be an easy matter
to induce the proud beauty to fly with him:
"Go! (_White to the lips._) Sir, leave this house! It is humble;
but a husband's roof, however lowly, is, in the eyes of God and
man, the temple of a wife's honor. (_Tumultuous applause._) Know
that I would rather starve--aye, _starve_--with him who has
betrayed me than accept _your_ lawful hand, even were you the
prince whose name he bore. (_Hurrying on quickly to prevent
applause before the finish._) _Go!_"
It is easy to laugh at Lytton's rhetoric, but very few dramatists have
had a more complete mastery of theatrical situations, and that is a good
thing to be master of.
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