I had the
emotional instinct to start with, no doubt, but if I did it well, it was
because I was able to imagine what would be _real_ in such a situation.
I had never _observed_ such horror, but I had previously _realized_ it,
when, as Arthur, I had imagined the terror of having my eyes put out.
Imagination! imagination! I put it first years ago, when I was asked
what qualities I thought necessary for success upon the stage. And I am
still of the same opinion. Imagination, industry, and intelligence--"the
three I's"--are all indispensable to the actress, but of these three the
greatest is, without any doubt, imagination.
After this "screaming" success, which, however, did not keep "Attar
Gull" in the bill at the Royalty for more than a few nights, I continued
to play under Madame de Rhona's management until February 1862. During
these few months new plays were being constantly put on, for Madame was
somehow not very fortunate in gauging the taste of the public. It was in
the fourth production--"The Governor's Wife," that, as Letty Briggs, I
had my first experience of what is called "stage fright." I had been on
the stage more than five years, and had played at least sixteen parts,
so there was really no excuse for me.
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