If you want
to say, 'I am going on the river,' say it plainly and don't tell us you
are going on the 'riv_ah_!' You must say _her_, not _har_; it's _God_,
not _Gud_: rem_on_strance, not rem_un_strance," and so forth. No one
ever had a sharper tongue or a kinder heart than Mrs. Kean. Beginning
with her, I have always loved women with a somewhat hard manner! I have
never believed in their hardness, and have proved them tender and
generous in the extreme.
Actor-managers are very proud of their long runs nowadays, but in
Shakespeare, at any rate, they do not often eclipse Charles Kean's two
hundred and fifty nights of "A Midsummer Night's Dream" at the
Princess's. It was certainly a very fascinating production, and many of
the effects were beautiful. I, by the way, had my share in marring one
of these during the run. When Puck was told to put a girdle round the
earth in forty minutes, I had to fly off the stage as swiftly as I
could, and a dummy Puck was whirled through the air from the point where
I disappeared. One night the dummy, while in full flying action, fell on
the stage, whereupon, in great concern for its safety, I ran on, picked
it up in my arms, and ran off with it amid roars of laughter! Neither of
the Keans was acting in this production, but there was some one in
authority to give me a sound cuff.
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