I could not deny that I had been fifty years
on the stage, and that this meant enough material for fifty books, if
only the details of every year could be faithfully told. But it is not
given to all of us to see our lives in relief as we look back. Most of
us, I think, see them in perspective, of which our birth is the
vanishing point. Seeing, too, is only half the battle. How few people
can describe what they see!
While I was thinking in this obstructive fashion and wishing that I
could write about my childhood like Tolstoi, about my girlhood like
Marie Bashkirtseff, and about the rest of my days and my work like many
other artists of the pen, who merely, by putting black upon white, have
had the power to bring before their readers not merely themselves "as
they lived," but the most homely and intimate details of their lives,
the friend who had first impressed on me that I ought not to leave my
story untold any longer, said that the beginning was easy enough: "What
is the first thing you remember? Write that down as a start."
But for my friend's practical suggestion it is doubtful if I should ever
have written a line! He relieved my anxiety about my powers of compiling
a stupendous autobiography, and made me forget that writing was a new
art, to me, and that I was rather old to try my hand at a new art.
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